NJE Collective Feature: Jo Rogge

 

Jo Rogge’s (b.1963) art is an attempt to render and navigate highly intense emotive states, provoked by a world fraught with conflict. Conflicts surrounding the body, especially bodies in precarious positions, are central to her work.

 The human body, as a fragment or even as an idea, is used by Rogge as an intuitive language for deciphering and deliberating over our emotional lives and experiences. She uses the bodily form as a conduit for probing fundamental beliefs about gender, body politics, identity, and sexuality.

The act of drawing is a fundamental part of Rogge’s artistic process: it is almost always the starting point for her creations.Through her fluid renderings of bodily gendered expression, she calls into question the dichotomous notions of ‘male’ and ‘female’, challenges heteronormative assumptions, and creates a new crucible for queer voices. At the same time, she poses uncomfortable questions about difference and belonging.

Rogge lives and works between Namibia and South Africa. She is the founder of the NJE Collective, which facilitates informal mentorship between young, developing artists and their more established counterparts.

In September 2016, she received a grant from the Other Foundation to create a new body of work addressing identity, stigma and discrimination in the LGBTI community in Namibia. Rogge’s constant interrogation of the ‘Othered’ body has led her to a range of projects across the globe, working in diverse media. Rogge is also currently advisor and editor for the first-ever documentary film about young black transgender Namibians.” (Gunsandrain)

  Three Lovers Are Better Than None,  Jo Rogge, Mixed Media, 2018. 

Three Lovers Are Better Than None, Jo Rogge, Mixed Media, 2018. 

  Always In A Holding Pattern , JoRogge, Mixed Media, 2018. 

Always In A Holding Pattern, JoRogge, Mixed Media, 2018. 

  Staying Afloat,  Jo Rogge, Mixed Media, 2018. 

Staying Afloat, Jo Rogge, Mixed Media, 2018.